My eldest
daughter noticed them first. Paw prints, distinctly feline. Green, pink,
yellow, orange; the more we looked the more we found, all over the sun-scorched
cobblestones of Santarém’s old town. Naturally, we followed them, and what we found
was quite extraordinary.
“Aqui há
gato” is a children’s bookshop. It was recently voted the second best bookshop in Portugal, which isn’t bad considering that its bookselling space is
only about the size of an average living room, and much of this is taken up with a gnarly
old tree. But look closer: the tree has a wise old face peering out of the
trunk, there are lanterns hanging from branches, fairies dancing around its
base, and a even a malevolent witch flitting through the leaves on her
broomstick. Behind a sliding door decorated with fairies and magical plants, kids
were practicing some expressive dance – just one of the many activities
organised by the bookshop during the summer months. We were spellbound; we
immediately purchased a handful of books and signed our older kids up for some
upcoming activities. The small matter of the children not speaking any
Portuguese was hardly discussed: this was a magical place, and the language of
magic is universal.
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| Child #3 in the "Aqui há gato" bookshop. In sunglasses. |
Nuns taking selfies (?!)
More than
once I made my way to the Portas do Sol, a public park built into Santarém’s
ancient fortifications. From here the views over the Tejo (Tagus) valley are so
breathtaking that I – quite literally – inhaled deeply every time I peered over
the edge, letting the the warm air from the valley floor fill my lungs. I don’t think I
have ever been in a place where everyone seemed so relaxed and happy; kids
played in the grassy areas, teenagers deep in their smartphones chased Pokemon invisible to me, couples chatted in the shade of immense plane trees, friends
enjoyed cold drinks on café terraces, and a group of nuns excitedly took
selfies at the viewpoints (now there’s a sequence of words I never thought I would
write...).
| I can almost see Lisbon from up here! |
But here's
the strange, wonderful thing, the thing that gives hope to all travellers
everywhere who think there is nothing left in Europe to be discovered: I never
heard any language other than Portuguese at the Portas do Sol. As a foreign
tourist, I always had this little bit of public space perfection all to myself.
Irreverent graffiti and understated monuments
On another
day I wandered into a church, its wide-open doors inviting me to shelter from the
blistering afternoon heat. As my eyes adjusted to the dark interior, I began to appreciate that the Igreja da Graça was much bigger than it looked from the
outside. At the back of the church, I was startled to discover the austere tomb
of Pedro Alvarez Cabrel, the Portuguese explorer who discovered Brazil in 1500.
No pomp, no circumstance; no bells, no whistles; just the final, simple,
resting place of the bloke responsible for the fifth largest country in the
world, sombrely overseen by sentinel Portuguese and Brazilian flags. As I
looked back up the church, past the zero other tourists sharing this important
monument with me on an August afternoon, my eyes drifted below the rose window
and back out of the main entrance. And there, just visible through the
streaming light, some excellent graffiti on an opposite wall depicted a
shady-looking character giving an irreverent two fingered salute directly into
the church. I looked at the tomb, I
looked at the church, I looked at the graffiti. Honestly, I didn’t know what to
make of it, but I smiled for a long time afterwards.
![]() |
| Wall art in Santarém |
Santarém is full of gems like the Igreja da Graça. Just a few narrow side streets away, the
“Torre das Cabaças” bell tower is considered so important to Portuguese
architectural heritage that a model of it, along with the rose window at Graça, features in the “Portugal dos Pequenitos” park in Coimbra. Directly
opposite Cabaças, the crumbly old church of São João de Alporão is exactly the
sort of picture-perfect monument that a tourist dreams of finding in an ancient southern European town, its wildflower-bearing stone walls whispering promises
of valiant stories and hidden secrets (alas, it was TOO crumbly at the time of
my visit and thus temporarily closed for repairs).
Tourism to the rescue?
But here's something else that I noticed, something very sad: despite all its treasures the old Santarém is sick, perhaps even dying. Without exaggeration, I would say that the majority of the commercial buildings in the old centre are empty, and most look like they have been that way for some time now. A quick glance inside the surviving shops and you will occasionally see a lonely shopkeeper and shelves half-stocked with stuff that no-one buys anymore. Of course, there are happy exceptions such as the funky cafés and the wonderful kids' bookshop, but the sad truth is that life is leaving old Santarém and springing up elsewhere: perhaps in the shiny new identikit mall on the outskirts of the old city, maybe the big-name megastores scattered along the main highways, perhaps even unable to escape the lure of nearby Lisbon.
Tourism could
help. If even a tiny fraction of the hordes of tourists visiting Lisbon would
make the one hour train or car journey north to Santarém, they would discover
something different, something wonderful, something authentically Portuguese.
The money they would spend in Santarém’s independent hotels, cafes and shops
would likely make a real positive difference to the local economy.
The kids
emerged from their final afternoon of activities at Aqui há gato with beaming
smiles, arms laden with their artistic creations, and even a few new Portuguese
words in their vocabulary. There are cheaper ways of keeping your kids
entertained on holiday, but at €12 per session their three afternoons of
inspiration and creativity cost approximately one half of a one-day ticket to
Disneyland. Santarém has a lot to offer, and it gave us all some great
experiences; I can only hope that we gave enough back.
Daisy the bus visited Santarém in early August
2016
(c) 2016 Jonathan Orr


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